Born: New York City, 1949
  Education:  Columbia University, Magna Cum Laude,
    Phi Beta Kappa, B.A., 1971
    Queens College, NYC, M.F.A., 1975

  Exhibitions and Commissions:
  2010 Solo Exhibition, Marshall Store Gallery, York, Maine
  2010 Solo Exhibition, Les Yeux du Monde, Charlottesville, Virginia
  2009 Solo Exhibit: "Biblical Images from Fantasy Fest" Lucky Street Gallery, Key West
  2007 Solo Exhibition, Les Yeux du Monde, Charlottesville, Virginia
  2007 Lincoln Perry:A Retrospective, Ogunquit Museum of American Art, September 28 to October 31
  2007 “Mad Dancers”  Lucky Street Gallery, Key West
  2006 Mason Murer Gallery, Atlanta, Georgia, in conjunction with a solo exhibition at the art gallery of West Georgia Uniiversity, Carrolton, Georgia
  2005 “Between Perception and Invention: Three Generations of Figurative Artists”, Sharon Arts Center Gallery, Peterborough, New Hampshire
  2004 Solo Exhibition, Lucky Street Gallery, Key West, Florida
  2003 Solo Exhibition, Les Yeux du Monde, Charlottesville, Virginia
  2003 Solo Exhibition, Lucky Street Gallery, Key West, Florida
  2001 On Permanent View: Lincoln Square, 555 11th St. NW, Washington DC; two panels,9.5x17.5 feet.
  2001 Solo Exhibition, Lucky Street Gallery, Key West, Florida
  2000 On Permanent View: Cabell Hall at the University of Virginia, Charlottesville; eleven panels roughly 12.5 high x 73 feet wide.
  2000 Two Person Show, Ogunquit Art Association, Ogunquit, Maine
  1999 On Permanent View: Federal Courthouse extension in Tallahassee, Florida: three panels 6x18 feet, two panels 6x27 feet.
  1998 Solo Exhibition, Lucky Street Gallery, Key West, Florida
  1997 Ogunquit Art Association, Ogunquit , Maine
  1995 Solo Exhibition, Washington and Lee University Art Museum,  Lexington, Virginia
  1993 Solo Exhibition, Tatistcheff & Co, 50 West 57th St., New York, NY
  1992 New American Figure Painting, Contemporary Realist Gallery, San Francisco, CA, and Clemson University, SC
  1990-1 Figure, Contemporary Realist Gallery, SF, CA
    Salon 1990: The Figure in New American Painting and Sculpture, New York Academy of Art, NYC
    Solo Exhibition, Tatistcheff & Co, NYC
    The Italian Tradition in Contemporary American Landscape Painting, Gibbes Museum of Art, Charleston, SC
    On Permanent View: Four panels, One Penn Plaza, Washington, DC
  1989 10th Anniversary Exhibition, Tatistcheff & Co, NYC
    On Permanent View: Mural, 1700 Pennsylvania Ave,Washington, DC,  8'x40’
    On Permanent View: Urban Odyssey Murals, Met Life Building, Metropolitan Center, St. Louis, MO, two panels 22 x 37 feet, five panels 22 x 16 feet
  1988 People, Places, Things, Tatistcheff & Co, NYC
    Solo Exhibition, Tatistcheff & Co, NYC
    Classical Figures, Simms Fine Art, New Orleans, LA
  1987 American Art Today: The Portrait, Art Museum at Florida International U, Miami, FL
    Summer Group, Tatistcheff & Co, NYC
    Modern Myths, Classical Renewal, Boise Gallery of Art, Boise, ID
    Six Realists, Harris Samuel & Co, Coconut Grove, FL
  1986 Solo Exhibition, Tatistcheff & Co, NYC
    Short Stories, One Penn Plaza, NYC
    Group Exhibition, Tatistcheff & Co, NYC
    Plein Air, Bank of Boston, Boston, MA
  1985 Solo Exhibition, Bayly Museum, Charlottesville, VA
    City Streets, Schoelkopf Gallery, NYC
    Drawn From Life, Chemical Gallery, NYC
    Group Show, Tatistcheff & Co, NYC
    New American Scene, Squibb Gallery, Priceton, NJ
  1984 Solo Exhibition, Tatistcheff & Co, NYC
    New Talent/New York, Sioux City Art Center
    Summer Remembered, Squibb Gallery, Priceton, NJ
  1983 Bodies and Souls, Artist's Choice Museum, NYC
    Two-Man Exhibition with Elmer Bischoff, Fine Arts Gallery, University of Arkansas, Fayetteville, AR
    Three-Man Exhibition, Hobart College, Geneva, NY
  1982 Solo Exhibition, Tatistcheff & Co, NYC
  1982 Contemporary Realism, The New York State Council on the Arts,
    Museum Gallery, White Plains, NY
  1981 Solo Exhibition, Walker Art Center, Bowdoin College, Brunswick, ME
  1980 Eight Young Americans, Tatistcheff & Co, NYC
    Solo Exhibition, Hildreth Gallery, Nasson College, Springvale, ME
  1979 Solo Exhibition, Northampton College Gallery, Allentown, PA

  Teaching: University of Virginia, Charlottesville, Distinguished Visiting Artist, 2001-
    Caumsett Summer Program, LI, NY, 1986
         Visiting Artist, University of Virginia, 1985
    University of Arkansas, Fayetteville, 1983-84
    University of New Hampshire, Durham, 1975-80
    Queens College, 1973-75

  Collections (Partial): Bayley Museum, Charlottesville, VA
    Becton Dickenson & Co, Paramus, NJ
    Chemical Bank, NYC
    Gallerie Claude Bernard, Paris
    Stephens Inc, Little Rock, AR
    John Hancock Mutual Life, Boston, MA
    Vinson & Elkins, Houston
    Shell Oil Company, Houston
    and numerous private collections (list not kept up to date since 1993)

  (Incomplete) Bibliography       
  The Murals of Lincoln Perry, a one hour documentary about the murals at UVa, shown on PBS
  Lincoln Perry, "Letter from Italy" American Scholar, Spring 2010 pp 8-10
  Lincoln Perry’s Charlottesville, with introduction and interview by Ann Beattie, 2005, UVa Press
  Meridian, the Semi Annual of UVA, Fall 2000 (cover and insert, starting page 70)
  Ontario Review,  (cover and reproductions), Fall 1999
  Gettysburg Review, (cover and reproductions)  winter  1996
  Agar, Eunice: 'Lincoln Perry', American Artist, June, 1984 (cover), pp  34-39, illustrated
  Bolt, Thomas: 'Uneasy Answers: Lincoln Perry's Dialectical Narratives',  ARTS Magazine, Nov.’86
  Bolt, Thomas: Introduction, Catalog for "New American Figure Painting"
  Cohen, Ronny H: Cutting A New Figure, Town and Country, January '86,184
  Cohen, Ronny H.: 'The Symbolist Renewal', Drawing, September-October, 1984, pp 49-53, ill. p 52
  Cooper, James F.: 'Young U.S. Artists Adopt New Style',The News World, February 20, 1981
  Gore, Mary Jane, ‘Deconstructing Perry’, C’ville Weekly, January 16, 2001  pp. 16-19
  Hubbard, Kim, 'Couples', People Magazine, February 5, 1990, pp 89-95, illustrated
  Jencks, Charles, Post-Modernism, Rizzoli Books, NYC, 1987, pp 106-108